![]() With typefaces now being carved to form printable fonts, typographers began to experiment and design their own type, rather than mimic existing scripts. Centaur and Jenson are modern fonts in the Humanist style. Still based on hand lettering, these fonts have the characteristics of angled crossbars on the letter ‘e’ and a high stress which relates to how a scribe would hold a pen. In Italy the German blackletter style was soon replaced with typefaces inspired by Roman inscriptions. Serif fontsĪs movable type printing became the standard across Europe different typeface styles were developed, but these early typefaces were still based on early hand written scripts so they retained the characteristics of brush/pen lines and serifs on the entry and exit of each stroke. Fonts such as Gutenberg and Fraktur are popular modern interpretations of the first print typefaces. ![]() ![]() There’s a whole series of subcategories of Blackletter typefaces each with its own characteristics, but they’re all based on the original calligraphic style with tall, narrow letters and sharp angular lines. The first typeface carved by Gutenberg was based on the hand writing style of the time and was used to print the first books in Europe, including the Bible. ![]() In the middles ages books were hand lettered in the Gothic style that had been developed by scribes, until the invention of the movable type press by Johannes Gutenberg. ![]()
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